Tuesday 15 May 2007

thank you BBC...


At the risk of sounding a bit sad, I like watching TV. It's the friend that's always there; company for lonely nights and lazy Sunday afternoons (and yes, I am enjoying them while I can). And although I agree that most of what's on offer is garbage, there are just a few televisual nuggets of gold which glint in the mud of the broadcasting bucket.

But what really annoys me is when you invest three months of your life in a new show, delight in its witty dialogue, empathise with its characters, cheer them on when the two leads finally get together and so on, only to discover that, after all that time and emotional energy, this truly great show has been "cancelled". Television is, after all, a business. Yes points do make prizes, but the only points most broadcasters are interested in are those of the viewing figures. Up: good. New season. Down: bad. End of show.

Recently my wife and I have been enjoying a fantastic new American show called Studio 60 on the Sunset Strip, thanks to the rather murky world of BitTorrent. It's the latest offering of Aaron Sorkin, of The West Wing fame, and is a "crackling take on the drama behind the humour of producing a popular, late-night comedy sketch show." Imagine the quality of writing of The West Wing, mix it together with a dose of intelligent humour, religious and political comment, and you have one heck of a show. Unfortunately, it seems that most Americans are too dumb to realise how good it is. As a result of poor viewing figures (only an average 8.5 million viewers per week for the first 16 episodes), and despite numerous award nominations (including a golden globe for best actress in a supporting role - Sarah Paulson - and a nomination for best new series by the Writers Guild of America) the show went the way of Britain's chances in the Eurovision Song Contest.

Why NBC why? Why America why? Now all I have to look forward to is another game of Scrabble with my wife, as the TV slowly gathers dust in the corner. And the next time I hear a BBC trailer that says, "This show was only possible because of the unique way the BBC is funded..." I'll say a quick thank you to the Big Fellow upstairs.

Wednesday 9 May 2007

Funniest Simpsons dialogue ever...


Homer
: Marge? Since I'm not talking to Lisa, would you please ask her to pass me the syrup?
Marge: Dear, please pass your father the syrup, Lisa.
Lisa: Bart, tell Dad I will only pass the syrup if it won't be used on any meat product.
Bart: You dunkin' your sausages in that syrup homeboy?
Homer: Marge, tell Bart I just want to drink a nice glass of syrup like I do every morning.
Marge: Tell him yourself, you're ignoring Lisa, not Bart.
Homer: Bart, thank your mother for pointing that out.
Marge: Homer, you're not not-talking to me and secondly I heard what you said.
Homer: Lisa, tell your mother to get off my case.
Bart: Uhhh, dad, Lisa's the one you're not talking to.
Homer: Bart, go to your room.

Thursday 15 February 2007

poke the bunny...

No, that wasn't intended as a euphemism. I really am inviting you to poke the bunny (keep poking):

Sunday 21 January 2007

a little titillation...

Male nipples. Why? Just came across a site called "Things Creationists Hate", which has a list of objections to a literal, God-created-the-world-in-six- days-even-though-he-didn't- create-the-sun-and-moon-until- day-four kind of way. Here's a quotation:

"My grandfather, down on the farm, used to have a quaint expression, usually levelled at some lazy individual: as useless as the tits on a boar. Creationists, think hard and send me a carefully reasoned answer explaining why God would create both boars and men (and all other male mammals) with useless nipples (which can even be dangerous - men can get breast cancer). The simple biological-evolutionary answer is that as embryos we are all structurally female first, including proto-breast tissue. Only later in foetal development do the male hormones kick in and modify the feminine genital structures into the masculine. But we men are left with useless breast tissue and nipples, which never get the hormonal signal at puberty to develop into functioning organs. The whole thing seems a messy and cobbled-up system for producing two sexes. Why in Heaven's name would a Designer worth His salt come up with so inefficient a system, with useless (and sometimes dangerous) parts left over?"

All those debates with creationists, and it never occurred to me that I had two rounds of anti-creationist ammunition right within my grasp...

Saturday 13 January 2007

to go boldly...

Okay, let's talk sci-fi (but let's do it without splitting infinitives). More specifically, let's talk sci-fi spirituality. Does sci-fi have a spirituality? Most popular forms of sci-fi have an unambiguously humanist slant: when-we-have-the-technology-to-find- god-he-turns-out-just-to-be-an-incredibly- powerful-being-from-a-parallel-universe- type-of-thing, Star Trek being one of the worst offenders. In original Star Trek Spock the scientist is the one with all the answers (a classically Modern view). In the Next Generation the all-knowing one is Deanna Troi, the ship's counsellor (ooh, touchy-feely; a hint of Postmodernity, anyone?). But there are some spiritually challenging examples of sci-fi out there (as bsbrev has recently noted in the past few months), Firefly and the most recent incarnation of Battlestar Galactica being just two.

But if you stray off the path of mainstream sci-fi and enter the nerdy world of hardcore sci-fi writing, there are more than enough authors presenting content challenging and even uplifting for the Christian reader. I came upon just one example today. I'm currently reading Dan Simmons' The Fall of Hyperion (sequel to Hyperion, the two novels deliberately borrowing from Keats’s poems of the same names), and it's excellent, mind-bending stuff. One of the characters sent on a pilgrimage to a desert world to appease a wrathful god-like creature is a scholar called Sol Weintraub. This how Simmons describes Sol's academic work:

"For most of his life and for all of his career, Sol Weintraub the historian-cum-classicist-cum-philosopher had dealt with the ethics of human religious behaviour. Religion and ethics were not always - or even frequently - mutually compatible. The demands of religious absolutism or fundamentalism or rampaging relativism often reflected the worst aspects of contemporary culture or prejudices rather than a system which both man and God could live under with a sense of real justice. Sol's most famous book... dealt with Abraham's hard choice of obeying or disobeying God's direct command for him to sacrifice his son.

Sol had written that primitive times had required primitive obedience, that later generations evolved to the point where parents offered themselves as sacrifice - as in the dark night of the ovens which pocked Old Earth history - and that current generations had to deny any command for sacrifice. Sol had written that whatever form God now took in human consciousness - whether as a mere manifestation of the subconscious in all its revanchist needs or as a more conscious attempt at philosophical and ethical evolution - humankind could no longer agree to offer up sacrifice in God's name. Sacrifice and agreement to sacrifice had written human history in blood.

Yet hours ago, ages ago, Sol Weintraub had handed his only child to a creature of death."

Dan Simmons, The Fall of Hyperion (London: Gollancz, 1990) pp. 506-507


Simmons at no point rules out the existence of God but presents a universe in which the majority have selected a more humanistic form of 'spirituality'. The Church still exists (in the form of Roman Catholicism - hopefully not a comment on the vitality of the Anglican Communion, but then again, he is American...), but faces the challenge of being a dwindling community in a society even more pluralistic than our own. Although the future universe is one of incredible scientific advancement, it faces the same philosophical and theological challenges as our own, the morality of the application of scientific knowledge just one example.

But in the passage quoted above we are presented with a theologically nuanced argument that should challenge our own concepts of God, of the goodness of God, and leads the Christian reader to an interpretation of the Isaac story that I've never considered. Ultimately Sol comes to the conclusion that the reason Abraham agrees to go through with the sacrifice of his son is that the whole episode is as much Abraham testing God as God is testing Abraham:

"By denying the sacrifice at the last moment, by stopping the knife, God had earned the right - in Abraham's eyes and the hearts of his offspring - to become the God of Abraham."

The fact that some sci-fi author makes an unorthodox interpretation of scripture doesn't mean it's right. But the fact that it's a sci-fi author making the interpretation doesn't mean that I won't benefit from considering it, even if I do end up rejecting the conclusion. There's more to be gained from the reading of sci-fi than the loss of a social life (D&D anyone?) or fashion sense (what's wrong with black T-shirts and white trainers anyway?).

Sci-fi is here to stay, and not only do I love it, but it enriches my faith.

Friday 12 January 2007

blog challenge...

Okay, RevMatt, thanks for the hint. Yes, I'm suffering from blogger's block (which is certainly better than diarist's diarrhoea). So I have a proposal:

If a fellow blogger fails to submit a blog for over a week, then he or she shall be open to receive a blog challenge, whereby the first visitor to visit said blog wishing to do so shall leave a comment entitled "blog challenge" followed by the submission of a subject which the blogger must considerately, thoughtfully and humorously attempt to blog upon within two days, or face a forfeit most horrid, namely a 3-hour session of guided liturgical dance (leotard optional).
That would certainly have got me thinking much quicker. Come on fellow bloggers, what do you think?